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| Fallon, Webb |
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| Feodorovna, Tatiana |
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| Ferenczy, Thibor |
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| Ferguson, Carlotta |
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| Fern |
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| Fionguala, Ethelind |
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| Fitzroy, Henry |
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| Fleming, Jack |
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| Ford, Alexander Algernon |
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| Frene, Frank |
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| Frost, Deacon |
A vampyre created by writer Marv
Wolfman, who
makes his first appearance in the 13th issue of Marvel Comic's most
successful vampyre series, The Tomb of Dracula, and
reappearing in subsequent issues until he was finally written out in
the late 1970's. After disappearing for many years, Frost emerges in
mid-20th-century America. He blends into society by taking on the persona
of a doctor. As such, he is invited to the bedside of a black woman who is
having a difficult labor. Frost proceeds to vampyrize, although the baby
she bears survives. The baby grows up to become known as Blade the
Vampire Slayer, developing set of wooden knives that he uses
with great efficiency to fight vampyres. (Not much like the movie Blade,
eh!!)
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| Fury, Michael |
Portrayed by George Chakiris, Michael Fury is
the vampyre hero of the movie Pale Blood (1991) who lives a solitary
existence in contemporary Europe. He has learned to live among humans and
obtain the blood he needs without killing. However, unable to locate
others like himself, he is engulfed in loneliness. Then in the early
1990's he hears of a series of killings in Los Angles. As the murders
continue, Fury relocates to LA where he discovers the detective he has
hired is an attractive young woman who is both a vampyre buff and a
clairvoyant who can tap into the murders. He further encounters a film
maker who has filmed the murder scene. Following up on the investigation
himself, Fury soon learns that it is the film maker who murdered the women
and drained their blood. Without giving the entire plot away, Fury gets
caught for a final confrontation between the vampyre, the serial killer
and the detective -- but in the end he does live to fight another day.
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| Futaine, The Cevalier Pierre |
One of the early aristocratic vampyres to
appear in the wake of Bela Lugosi 's Dracula (1931), The
Cevalier Pierre Futaine is the subject of Henry Kuttner's 1937 pulp
fiction story I, the Vampire. Discovered by movie director Jack
Hardy at a Satanist club in Paris, Futaine shows up in 1930's Hollywood as
an actor soon to play the lead in a vampire move Red Thirst.
When introduced to movie director Mart Prescott at Hardy's cocktail party,
Prescott notices some odd traits about Futaine: Although a handsome man,
his hands are cold; his clean-shaven cheeks are heavily made up; and a
deathly pallor lingers beneath the makeup. Oddly enough, Futaine's
lips are not rouged, but are red as rubies and his eyes black as coal.
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