There's no place like Hell 
wherein Lucifer (whose name means "light bearer") or Satan ( a Hebrew word meaning  "adversary") calls home.  And what of this place known as Hell that is the resident home of this fallen angel and his legions?

". . . . . . Hail horrours, hail
Infernal world, and thou profoundest Hell
Receive thy new Possessor; One who brings
A mind not to be chang'd by Place or Time.
The mind is its own place, and in it self
Can make a Heav'n of Hell, a Hell of Heav'n
What matter where, if I be still the same,
And what should I be, all but less than he
Whom thunder hath made greater? Here at least
We shall be free; th' Almighty hath not built
Here for his envy, will not drive us hence:
Here we may reign secure, and in my choyce
To reign is worth ambition though in Hell:
Better to reign in Hell, than serve in Heav'n."

...John Milton, Paradise Lost (Book 1)

Hell as described in Dante's Inferno (from the Divine Comedy). 
Illustrations by Doré from the Dover Publication of 
"The Doré Illustrations for Dante's Divine Comedy, Gustave Doré"

 

To me,  the most complete, ingenious and detailed description of Hell to date belongs to Dante Alighieri (1265 - 1321) and comes at the beginning of "The Divine Comedy".  (Note that each of the links within the following text will take you to one of Gustave Doré's Illustrations for Dante's Divine Comedy.  These illustrations are fairly large, as they were taken from "woodcuts", so that the details of the works can be seen.  Please be patient while they load into a separate window from this text.  Just close the window to return here).

At this point, Dante finds himself lost in a dark wood and threatened by wild animals that block his path. The shade, of the poet Virgil, appears to him and tells him the only way out is through Hell itself, and Dante (the Pilgrim) reluctantly agrees to make this journey.

Hell, according to Dante, is like a great inverted cone, a dagger that pierces to the centre of the Earth. At the top of the cone it is the widest -- this is where Lucifer and his angels hit the Earth, like a colossal meteorite, when they were cast from Heaven.  Over the gates to the underworld are inscribed the words "All hope abandon, ye who enter in!".

Dante begins to shiver and Virgil takes his hand as down they go . . .

The vestibule of Hell is a great dark plain where the souls of those who never really lived, even in life, who took no decisive course, who lived without blame and without praise, flee endlessly from hordes of angry hornets. Dante and Virgil continue on and stop at the bank of the river Acheron, which flows all around the perimeter of Hell.  Charon, the infernal boatman, ferries them across.

Stepping off the boat, they arrive in the first ring of Hell -- Limbo.  Things here are not all that bad. There is a meadow, a stream, a seven-walled castle. This is the place where Virtuous, but Unbaptized" souls reside among the great pagans. Virgil himself hangs his hat here.

However, things rapidly get worse. The second ring of Hell is reserved for the Lustful, who are blown about forever in pitch blackness by the fierce winds of unquenchable desire.

The third ring is set aside for the Gluttonous, who lie on the ground beneath a pelting storm of rain and hail. Cerberus, the three-headed dog, barks incessantly and rips the inhabitants limb from limb.

Arriving in the fourth level, the Avaricious and the Prodigal are divided into two camps and spend eternity rolling heavy weights against each other.

Passing on quickly, Dante and Virgil reach a rushing current of dark water -- they continue on by following its course downward and into a dismal swamp known as the Styx.

Dark and dank as it is, even the Styx is home to some.  This is the fifth ring wherein live the Wrathful and the Gloomy. They spend their time here either tearing at each other in anger or gurgling in the black mud below.

Carefully watching their steps, Dante and Virgil take the long way round the marsh, board another ferryboat to cross the moat like Styx and pass from the "upper Hell" into the lower regions.

It is now that things go from bad to worse . . . They enter the city Dante calls "the City of Dis" (Dis being Satan).  The closest analogy to this city would make it the Ottawa Canada of Hell . . . a place for the fallen to kick back and relax. They are now in the sixth ring, a wide plain dotted with burning tombs.  And inside the tombs? Heretics burn.

Another river to cross -- the Phlegethon -- a river broad and filled with boiling blood. Within its turbulence Dante sees the souls of those who have committed Violence -- assassins, tyrants, war-mongers.  The shore of this river is not much better.  It is here that Dante and Virgil must enter the dismal seventh ring -- the Wood of the Suicides.  It is here that the souls of those who have taken their own lives take root and grow, becoming stunted trees with gnarled branches and poisoned fruit.  Beyond this area is a scorching expanse of sand where those who have committed violence against God and nature are showered with eternal fire.

Still Dante has not reached the bottom. For the eighth ring, home to Fraudulence and Malice, is known as the Malebolge.  Shaped like an enormous amphitheatre, it descents for ten more levels.  On each of these levels a different class of sinner is tortured. Horned demons whip the seducers and pimps, hypocrites struggle to walk in lead-lined cloaks, simonists are wedged into stone holes, the soles of their feet licked with fire.  Barraters those who bartered their public office for private gain, are ducked in boiling pitch by a particularly frolicsome band of demons known as the Malebranche (Evil Claws).  (now tell me... why can we not do this to politicians??)

Continuing further down still to the base of the Malebolge, Dante finds a well guarded by fifty-foot giants whom he calls the Titans of Tartarus. Virgil commands one of them, Antaeus, to help them on their way by picking them up and placing them further down.

Dante and Virgil are now in the ninth and final circle of Hell, Cocytus  -- the frozen marsh where the Arch Traitor himself, is forever immersed up to his breastbone. His giant wings flap uselessly as he attempts to free himself, producing nothing more than cold winds that freeze the ice even harder.  Dante writes "If he was once as beautiful as he is ugly now, well may all affliction come from him". 

Satan has three faces: one black, one red, one yellow, with mouths gushing bloody foam and six eyes weeping.  While he weeps, he relentlessly chews the bodies of three traitors -- Judas, Brutus, and Cassius -- whose terrible crimes were still less heinous than his own -- for Lucifer betrayed the greatest Lord of all.  So now he suffers here, in the cold and dark at the farthest possible removal from the source of all light and warmth.

It is from here that Dante and Virgil escape from Hell by climbing down Lucifer's shaggy side, for he is too distraught to notice them, and then crawling through an opening in the rocks into the clean air and starlit night.

If you wish to read the full text of The Divine Comedy click HERE

 

In John Milton's Hell as portrayed in Paradise Lost (1667), the same four rivers flow -- the Styx, the Acheron, the Phlegethon, and the

According to Milton, Satan and his cohorts are "hurl'd headlong flaming from th' Ethereal Sky" plummeting through the mighty void of Chaos and landing with a mighty splash in a lake of fire.  No longer are they bright angels, and no longer do they inhabit the happy field of Heaven.  For their new home is . . .

"A Dungeon horrible, on all sides round
As one great Furnace flam'd, yet from those flames
No light, but rather darkness visible
Serv'd only to discover sights of woe,
Regions of sorrow, doelful shades, where peace
And rest can never dwell, hope never comes
That comes to all . . . "

If you wish to read the full text of Milton's Paradise Lost, click HERE

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